Step into an exhibition where conceptual and material practices examine how power, place and everyday life intersect.
Presented by CASA in collaboration with Brixton House
Curated by Gabriela Román González
Bringing together the work of Île Sartuzi and Débora Delmar, this exhibition explores how systems of power are embedded in contemporary life, shaping not only social and political structures, but also the ways in which space, locality and everyday behaviour are experienced.
Working across conceptual and material practices, the artists engage with different strategies of critique, examining how systems operate through visible and invisible frameworks, from the organisation of space to the cultural and economic structures that underpin lived experience.
Rather than offering a single perspective, the exhibition brings these approaches into dialogue, opening space to consider how artistic practice can reflect on, question and reframe the conditions that shape contemporary life.
Part of Lines of Flight
This exhibition is part of Systems in Question, a strand of Lines of Flight, CASA’s multi-arts programme at Brixton House exploring how artistic practices engage with structures of power, visibility and public life.
Practical information
Free entry | RSVP required
Opening Date: 4 July
Location: The Nook, Brixton House
About the Artists
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(b.1986, Mexico City) is a conceptual artist focused on institutional critique. Her installations reference minimalist, homogenized aesthetics used in "non-spaces," utilising barriers, surveillance, scent, and sound to examine control, manipulation, and restriction. Engaging with contracts and exhibition production, she creates detailed briefs that function as instructions and descriptions of her artworks. Her practice spans legal, architectural, and logistical processes. Recent exhibitions include ALLIANCE, Friends & Family, FR, 2026; TRUST 2025, Stanley Picker Gallery, UK, 2025; and LIBERTY & SECURITY, Jumex Museum, MX, 2024.
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Lives and works between London and São Paulo. Working through conceptual and research-based approaches, he creates choreographies, gestures, situations and misdirections that examine institutional infrastructures, systems of circulation and relations of power. His practice often draws on theatricality, repetition and trickery to reveal the internal logics of communication, value and control. Sartuzi studied at the University of São Paulo and Goldsmiths, and received the PIPA Award in 2021.